- Anindya Bikas Dutta.
If you want to test your creativity, here are seven forms of poetry every budding poet must try.
If you want to test your creativity, here are seven forms of poetry every budding poet must try.
1. Haiku
Want to reconcile your infatuation of numbers with your poetry? This Japanese poetry form is exactly what you need. Haiku juxtaposes two different images or thoughts and reflects the difference setting them apart and the similarities you draw between them. Traditional haiku consists of 17 syllables, in three phrases of 5, 7 and 5 respectively. In English, three separate lines denote the three distinct phrases. Some seasonal reference often completes it.
If you want some inspiration, try haiku's by Batso,
Onitsura, Shiki and Ezra Pound, they may help.
DON’T FORGET:
your kireji - cutting word suggesting a parallel or
dignified ending, punctuation marks in
English.
2. Sonnet
Think you need a soothing touch to your poetic skills?
Voila, sonnet is the answer. Italian in
origin, it is a fourteen line poem
following a rhyme pattern - abba,
abba, cde, cde or abba, abba, cdc, cdc. It generally
includes two parts the first eight lines highlighting a problem and the next
six lines proposing the resolution.
Those penned by Lentini, Dante, Michelangelo, Shakespeare,
Wordsworth, Browning are priceless to
readers over the world.
REMEMBER :
your Volta (turn) - move from preposition to resolution.
3. Limerick
If you are feeling crazy, limericks can help loosen the
feeling. Coming from England, this five-line poem drips off humorous
intent. With a strict rhyme pattern AABBA, it creates an absurd illustration of
the subject. The punch in the poem is in the tension in the meaning it implies
and it lacks. No secondary English education is complete without these.
Edward Lear whose name has become synonymous with limericks
and Gershon Lehman are some interesting reads.
REMEMBER-
to conclude with a variant of the first line on a note that is humorous and
suggestive.
4. Epigram
Feeling quite ‘The Thinker’ yourself and want to unsettle
your readers? Dosage- Epigrams, in any measure. Derived from the Greek
epigramma (‘inscription’) this short, satirical, witty form of poem can leave
you baffled. Created to affect
consideration, humor or an impression epigrams populate many poems as a device,
or can be non-poetic independent.
Shakespeare, William
Blake and Oscar Wilde created some of the greatest epigrams of all age that
entertain the readers every time, not forgetting the puzzlement.
DON’T FORGET-
to reserve the most powerful sarcastic attack for the last line.
5. Cinquain
Did you enjoy writing haiku? Cinquain can help you explore
further. Inspired by Japanese poetry forms like haiku, cinquain is a five-line
poem, in which the lines comprise of a definite number of syllables, usually
2,4,6,8 and 2 respectively. Other variations of cinquain like reverse, mirror,
butterfly etc are also known. However, now didactic cinquain has become famous
that refers to word count instead of syllables.
Adelaide Crapsey and William Soutar can be read if you need
an introduction to cinquain.
DON'T FORGET-
to fill the third line with three gerunds and to conclude with a synonym for
the subject.
6. Acrostic Poem
Got a ‘special’ name you want to glorify in your poem?
Acrostic poem is what you are looking for. It is usually a form that explores
the subject of the word- first, last or other, to spell it out. The most common
and simple form of an acrostic poem is where the first letters of each line
spells out the word or phrase.
It can be ‘one-characteristic-per-line’, ‘free-form’ or
double acrostic.
Nicky by Marie
Hughes is one of all time favourites.
Edgar Allan Poe and Paul Hansford too have a share of acrostic poems to
their credit.
REMEMBER-
if you wish to keep the 'name’ a secret, choose midline words to guard the lips
like the last letter of the third word of each line.
7. Ghazal
Heartbroken and looking for something to help you release
the feelings? Ghazal has been doing that for ages. Arabian in origin, this form
still reigns in many of our hearts. It consists of rhyming couplets and a
refrain. It is often seen as the poetic expression of separation set against
the beauty of love. Sufi saints in it's spread, lent it an element of
Sufism, the beloved often being a
metaphor for God.
Hafiz and Rumi have been the emperors of this art. Agha
Shahid Ali, Francis Brabazon too can be looked up for inspiration.
DON'T FORGET-
to incorporate your name (or pen name) in the maqta 'the last couplet of the
ghazal’
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